From Baroque to Galant Style Lecture-Recital

Award-winning pianist Maria Sumareva presents an exciting musical journey showing the development and changes happening in the musical styles from Baroque to Galant periods.

PROGRAM:

Talk/Intro: brief remarks on the various manifestation of Variation across genres and time; main differences between Baroque , Galant and Empfindsamer styles 

J.S. Bach: French Suite in G major, BWC 816 

C.P.E. Bach: Sonata Wq. 48 No. 4 in C minor (from the “Six Prussian Sonatas”)

J.A. Benda: Sonatina No. 4 in C major (variation)

Sonatina No. 9 in F major (variation- minuet)

Sonatina No. 2 in F major (no repeats)

C.P.E. Bach: Sonata Wq. 50 No. 1 in F major (From “Six Sonatas with Varied Reprises”) 

J.A. Benda: Sonatina major no . 7 in B flat major

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J.A. Benda: Sonatina no. 33 in F major

Sonatina no. 6 in D minor 

Sonatina no. 3 in A minor 

Sonatina no. 26 in C major 

Sonata no. 2 in C minor (Sammlung, book 1)

1. I.Allegro moderato
2. II.Andante sostenuto
3. III.Allegro

Sonatina no. 13 in C minor 

Sonatina no. 14 in A major 

Sonatina no. 15 in B flat major 

Sonatina no. 16 in G minor 

J.S. Bach/ J. Brahms: Chaconne from Violin Partita No. 2 in D minor BWV 1004 (J. Brahms: Etude no. 5 for left hand alone)