For the second concert of Festival Baltimore, a dynamic reading by the Firebird Duo (saxophonist Matthew Evan Taylor and pianist Asiya Korepanova) of brash and rhythmically incisive music with a hint of lyricism and sensitivity.
Paul Creston (1906-1985) complete works for alto sax and piano:
Rhapsody, Op.108; Suite, Op.6; Sonata, Op.19; Concerto, Op.26
Admissions is free and open to the public.
As an artist, Matthew Evan Taylor, is intrigued by four aspects of music; the growth of complex music from a simple idea, the social nature of the art form (especially, as it manifests in improvisation and the audience’s reaction), the evocation of color and atmosphere through sound, and the relationship of dance and music. He believes that today’s culture encourages a new kinetic, vibrant type of art, with unhinged rhythms and unbridled expression. It is Matthew’s goal to reflect this world and what is awe-inspiring about it through his music. Ultimately, he wishes to connect with the audience and expose the beauty that is all around.
Matthew was born in Boston, Massachusetts (3 December, 1980) and raised in Birmingham, Alabama, where he was exposed early to the music of Cannonball Adderly, Miles Davis, John Coltrane and Ornette Coleman. He began playing saxophone at the age of 9, and quickly began learning the music of his heroes by ear. In college, he was introduced to the music of
Igor Stravinsky and Arnold Schoenberg, which opened his ears to the world of modern classical music. After a five year stint touring as a founding member of Sony Music recording artist Moses Mayfield, Matthew moved to Miami in 2009 to focus on composition.
Since his relocation, Matthew has been an active artist, both performer and composer, in the Miami area and beyond. His music has been premiered in Miami, New York City, San Francisco and Cortona, Italy and performed by the Imani Winds, The Cleveland Orchestra, the Detroit Symphony Orchestra, pianist Marilyn Crispell, and clarinetist Gregory Oakes.
Matthew has garnered praise in publications such as the Miami Herald and the Huffington Post. He has been recognized as a promising emerging composer by the American Composer's Orchestra, the Imani Winds, and Festival Miami. Matthew has also been awarded grants and commissions such as Miami Light Project’s Here & Now commission and Tigertail Production’s Artists Access Grant, given in conjunction with the Miami-Dade Department of Cultural Affairs.
Matthew has been involved in fruitful collaborations with dancer/choreographers Priscilla Marrero, Katherine Kramer, and Joanne Barrett, musicians Elliott Sharp and Tatsuya Nakatani, and artists Pablo Cano and Ferrán Martin. He also was a founding member of Fridamusiq, an ensemble of four composers interested in free improvisation. Matthew is also a co-founder of the Vanguard Miami Festival of New Music.
Matthew has also made a name for himself as performer, playing throughout North America and Europe. In addition to his work in free improvisation, Matthew also plays repertoire that draws from classical, jazz and rock music.
In 2015, Matthew earned his Doctor of Musical Arts degree at the University of Miami, Frost School of Music. His teachers include Dr. Dorothy Hindman, Dr. Dennis Kam, Dr. Charles Mason, Dr. Lansing McLoskey, Dr. Gabriela Lena Frank, Stevan Tickmayer, and Dr. John Stewart. He has studied saxophone with Dale Underwood, Sallie Vines White, Jack Sharp, and Dr. Russell Thomas.